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all the damage. Don't you worry about me. You go in to dinner, and leave me to young Walter here." A door

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d himself in the capacity of Ravenspur's private secretary. He seemed to have heard all that had taken

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glittered with silver and old Bohemian gl

ass. The banks of flowers might have been arranged by the master hand of an artist. Ravenspur sat there gaily enough n

ow, his conversation gleaming with wit

and humour, the most perfect host in London. There was no sign whatever of his earlier agitation. A

nd yet, strive as he would, from time to

time the name of Louis Delahay crept into the conversation. It was in vain that Lord Ravenspur attempted to turn the

stream of thought into other channels. H

e was glad enough at length when the dinner came to an end, and the party of guests broke up into little groups. The h

ost approached Seton presently with a reques

t to know whether he would care to play bridge or not. "No bridge," Sir James said emphatically. "I am

tired of the tyranny of it. I wonder tha

t you should make such a suggestion, Ravenspur, seeing how you detest the commonplace. But, at any rate, I will

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have another of those excellent cigarett

es of yours." "It shall be just as you please, my friends,"

he was sli

Ravenspur said wearily. "Now let us go

and have a coffee in the studio. It is much cooler there, and

ghtly over

there is more space to breathe." The

suggestion was received with general approval, and a move was

doing it.

immediately made in the direction of the

studio. The apartment lay at the end of a long corridor, whic

He fussed

h cut it off from the rest of the house,

the studio being in reality a huge garden room, which Ravensp

about Seto

ur had built for reasons of privacy. He

took a latchkey from his pocket and opened the door. "I alw

n, and ins

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ays keep this place locked," he explained. "Some years ago my three Academy pictures were stolen just as they were finished, and since then I have taken no risk. The annoying p

art of the whole thing was that one of the missing pictures was the best thing I ever did. What became of it is a mystery." "I remember the picture perfectly well," one of the guests remarked. "It was the study of a woman. Do you recollect my coming in one night and you asked me my opinion of it?" "I think I can remember it," Ravenspur said. "Well, it was a superb piece of work," the first speaker went on; "anything more fascinating than the woman's face I

don't recollect seeing. I don't know who your model was, Ravenspur, but you had a rare find in her." "I had no model," Ravenspur ex

plained. "The face was more or less an ideal one--composite, if you like, but resembling nobody in particular. However, the thing was a great loss to me, and I have never ceased to regret it. That is why I always keep this place locked up; even when the room is cleaned out, I am always present to see that nothing is disturbed. It is a whim of mine." As he spoke Ravenspur switched on the electric lights, until the whole of the beautiful a

partment glowed to the illumination of the shaded lamps. The studio itself was circular in shape, and finished in a gr

eat dome of stained glass. The floor was littered with rare old Persian carpets, and lounges from all parts of the world were dotted about here and there. Round the walls was an almost unique collection of armour. From the centre of the floor rose a fine acacia tree, the vivid green foliage of which seemed to suffer nothing from being cut off from the outer light and air. Altogether the place was quite unique in its way, and striking evidence of Ravenspur's originality and good taste. On little tables here and there

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were hundreds of photographs, most of them signed, testifying to the great popularity which Ravenspur enjoyed amongst all classes of society. "You will have to leave these to the Nation," a guest laughed. "W

hat a cosmopolitan gallery it is--a prince on the one side, and a prominent socialist on the other! Yet, after all, photographs are very commonplace things. You might look over a tho

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d asid e. He

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usand before your fancy is taken by a face like this." As he sp

oke the guest took up a portrait from one of the tables, and held it out at arm's length, so that the light fell upon the features. Unlike the rest, the photograph was not framed, and, judging from the edges, it had had a certain amount of rough usage in its time. As to the picture itself, it presented the features of a young and beautiful girl, with a great cloud of hair hanging over her should